Thursday, March 31, 2016

Overused Words in Writing

Posted: 30 Mar 2016 10:04 PM PDT
AutoCrit_Invert_RGB
Since Erika talked about overused words yesterday. I thought I would point out how AutoCrit helps you spot commonly overused words and sentence constructions that weaken your manuscript, including generic descriptions, passive voice, adverbs, and more.
The the analysis sidebar shows you the number of words found in a category and recommendations for improvement. It is important to remember that this is a suggestion only and not a hard number.
They compare your manuscript to samples of successful published fiction, including mass market paperbacks and bestsellers. If the number of overused words in your manuscript exceeds the average found in those published works, we’ll highlight the problem in your manuscript for quick analysis and editing.
For example, published fiction typically has about 10 adverbs per 1,000 words.  If your manuscript has 30 adverbs per 1,000 words, AutoCrit will suggest that you remove about 20 of those.
Below is a screen shot of my sidebar report for overused words for my 78,000 word novel. I have found it very helpful picking up things that you don’t notice.
overused wordsThe words we look for fall into several categories. For more information on each of these writing pitfalls, click the category below.
§ Adverbs: Those –ly words, such as quickly or happily. They rely on a weak adjective or verb (quickly walked); they can almost always be replaced by a single strong adjective or verb (ran, galloped, bolted).
§ Generic Descriptions: We look for descriptive words that could be replaced with more specific adjectives; words such as nice, good and pretty are generic and tell instead of show.
§ Passive Voice Indicators: Words such as has/had and was/were are classic indicators of passive voice; this sentence construction can be clunky or confusing for the reader.
§ Sentence Starters: Sentences that start the same way too frequently, including initial conjunctions (conjunctions such as but, and, or so) and sentences that start with –ING verbs. (Using this structure too often can be distracting to the reader, and many writers use it incorrectly).
§ Showing versus Telling: Words like was/were, hear/heard, watched/observed/noticed, and went may indicate you’re telling the reader instead of showing them.
§ Unnecessary Filler Words: That, just and other filler words creep into our writing but can be eliminated in almost all cases.

The Bottom Line

While using any word is fine in moderation, overusing a particular word or sentence structure can sap the energy from your writing.  Make sure every word earns its place on the page.
AutoCrit will highlight the words you could work on to eliminate. It also, gives you a list of words which you can click and walk you through each one letting you decide whether that word can be corrected. It points out repeated words and phases, too. And as you can see from the sidebar, it gives you a little pat on the back when it compares your writing to other books in your genre. They have a 7 day free trail and I was offered a discount when I decided to purchase. Check it out.
Talk tomorrow,
Kathy



HEROES BENEATH THE WAVES FACEBOOK

https://www.facebook.com/submarinestories/?ref=aymt_homepage_panel

Friday, March 25, 2016

The Easter Story

Easter Story
 The Easter lily was brought to United States from Japan, by the World War I soldier, Louis Houghton. Tradition has it that the beautiful white lilies sprung up where drops of Christ’s sweat, fell to the ground in his final hours of sorrow and deep distress.

 The Legend of the dogwood flower has two long pedals and two short pedals, the cross and at each edge is a dot for that symbolizes the nails and the center the crown of thorns. It was a firm and strong timber to be used for the cross. It was once big as an oak, because the tree felt so sad for what it was used for – God said it would never be strong again, but slender and dainty.


The egg and the rabbit were started as a symbol for new birth on Easter.


Friday, March 11, 2016

Manuscript Editing Software

Manuscript Editing Software for Fiction Writers

Strengthen Your Writing
Control the Editing Process
Publish Confidently

You can sign up for a free 7 day trial. I just did and it’s a real

eye opener. Check it out!

Saturday, March 05, 2016

Readers, Reviewer and Authors

How many readers, reviewers, and authors have used Netgallery?

Sunday, February 28, 2016


Eureka Springs - check them out for they provide a lot of writers workshops.

Saturday, February 27, 2016

Wednesday, February 24, 2016

ARKANSAS WRITERS

http://ArkansasWriters.com/wordpress


ArkansasWriters.com

A Regional Guide to Writers and Writers' Groups

Monday, February 22, 2016

Ghost Towns in Arkansas


 
The Friends of Baxter County Library
will have their monthly meeting
this Wednesday, February 24 at 1:30 p.m.
Donald W. Reynolds Library Serving Baxter County
Knox Meeting Rooms A & B 

Program:
Diana Roller will present

Ghost Towns in Arkansas

Friday, February 19, 2016

Arkansas Literary Festival

http://www.arkansasliteraryfestival.org/

Wednesday, February 17, 2016

Poem for Kids

Playful Leaves
 
I love to watch dry leaves
Come alive before my eyes.
Several join in the race
Across the yard
I see, what I thought
Was a rabbit looking at me.
I sat… and sat, watching,
the rabbit never moved,
Not one ear
Or a nose twitched
It just sat, frozen.
As I walked toward it
It skipped away
To join other leaves,
And flew into the air
to return to a tree
With other leaves
Still anchored
To a big Oak tree.
             ©By Mary Nida Smith

Monday, February 15, 2016

Candy Simonson to Springfield Writers' Guild Forum
2 hrs
“How to Write a Great Short Human Interest Story”
Michael Pulley, OTC English Instructor and newspaper columnist to speak at Springfield Writers’ Guild February...
See More

Sunday, February 14, 2016

ALL WRITE NOW! Conference

Join us for The Third Annual

All Write Now! Writers' Conference

Saturday, July 16, 2016

in Cape Girardeau, Missouri

Thursday, February 11, 2016

CREATING AN ELEVATOR PITCH


Shared from Kathy Temean's newsletter. 

Creating an Elevator Pitch – Erika Wassall

erikaphoto-45Erika Wassall the Jersey Farm Scribe here on
Creating an Elevator Pitch
Whether you’re getting ready for a conference, prepping ideas for a Twitter party, or just want to put your best foot forward to anyone who asks about your book, having a quick, engaging and powerful elevator pitch is important.
First of all… what IS an elevator pitch anyway?
________
El-e-va-tor pitch
noun — informal
* A succinct and persuasive sales pitch
* A short summary used to quickly and simply define a process, product, service, organization, or event and its value
________
The idea here is that in the 20-30 seconds of an elevator ride, you could present your idea. Us humans are fickle creatures with VERY short attention spans. We make snap judgments, and unless we’re already intrigued, we’re likely to have already mentally moved on.
Job interviews. “Objectives” at the top of resumes. Sales positions. Convincing a spouse of what restaurant to go eat at. Convincing a boss about your new idea. Impressions are made quickly. Not that minds can never be changed later. But the fact remains…
The first 20 seconds is your BEST opportunity to make a good impression.
All right. So that’s the basic CONCEPT.
Uh, that’s it??? Hello? E-Z!!! I know my book. I know what makes my story special. Of COURSE I can describe it in 3-4 sentences!!! I wouldn’t even need to practice.
……here we go……
A young girl is caught in between…
Wait. No! It’s so much more than that. Let me start again.
When insomnia brings Tris to the brink of desperation…
Ugh, that sounds so cliché!
Conception is reality. Tris must prove her sanity and win the right to live out her dreams in more ways than one.
Yuck. That says ab-so-lutely NOTHING. Okay. So this is harder than it sounds.
Elevator Pitch Tips:
Don’t Over Pack the Pitch:
For me, the biggest tip I ever got for an elevator pitch is not to try to shove my entire story in there. This was a HUGE relief. If the plot line is too complex to explain in a few lines (or the tiny 140 characters we Twits get), don’t even try. Concentrate instead on the unique voice. Have the pitch portray the main character’s biggest flaw or most powerful victory. Highlight a powerful scene or even quote a climatic moment.
Feel Free to Ruin:
If pitching to an agent, there’s nothing wrong with giving away the end. They’re professionals. Trust the story, and be confident that the writing and development along the way will keep them engaged even if they know the twist end. (Obviously keep in mind different agents may feel differently about this. Always research agents for preferences)
OBSESS over Nouns:
Obsess over every word really, but look extra closely at those nouns. Could they be more powerful? More emotional? More visual? Even in our limited word count, can we do more showing and less telling?
Show Uniqueness in Specifics:
Agents hear a LOT of pitches. Being conceptual isn’t enough. We must express specific aspects of THIS book that make it different from the other 400 they may have received, over the past 48 hours. The idea may be excellent, creative and powerful. But from their perspective, they’ve likely heard it before. As humans, they’re naturally assessing it, lumping it in with other things similar. Specifics are your weapon here. Use details, voice, character, setting, etc, to make THIS particular story stand out from that crowd.
PRACTICE PRACTICE PRACTICE:
Say it out loud. A lot. Then say it some more. The manner in which it rolls off the tongue is important, as is confidence in delivery. Bonus: Once you have it down, you may be surprised at how frequently the opportunity is presented for you to use it.
Our manuscripts are complex. They cannot be put in a box. No 20 second opportunity can fully grasp the extent of their awesome. Don’t let that goal overpower you. Instead create intrigue, and answer the question of why they should want to hear or read more.
Your manuscripts are worth it.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Erika Wassall is a writer, a farmer and a liver of life. She is a member of SCBWI and a proud Mad Scientist, bringing science experiments right into children’s classrooms, and hearts. She has a small farm in New Jersey with sheep, chickens, pigs and vegetables. Check out her new website at www.TheJerseyFarmScribe.com where as a first generation farmer, she often takes the long way, learning the tricks of the trade on The Farm. On her website is also The Shop page with tips and a free Q/A from her husband’s mechanic shop, and The Writer page where she shares stories, experiences and characters from the heart. Follow her on Twitter at @NJFarmScribe. She’d love to hear from you!
Look for Erika’s articles every other Wednesday on Writing and Illustrating. Thank you Erika for another great post.
Talk tomorrow,
Kathy

Monday, February 08, 2016

Friday, February 05, 2016

MEET THE AUTHORS KIMBERLING AREA LIBRARY

Fourth Annual Free Event More information Ozark Writers league Facebook page.

 Meet the Authors Festival Kimberling Area Library Saturday, February 6, 2016 9:30 AM to 2:00 PM

Meet more than 40 regional authors, Listen to these 11 interesting speakers. Speakers 9:50 AM---McQueen, Newman, Racing, and Sailing--Fred Harshbarger 10:10 AM—Winds of Deception--Cover-up by President Johnson--Tierney James 10:30 AM—History of Fort Leonard Wood--Paul William Bass 10:50 AM—History of a Professional Baseball League in the Ozarks--J. B. Hogan 11:10 AM—What’s the Big Deal about Ginseng--Madison Woods 11:30 AM—Orbit the Famous Dog--Peter Longley 12:00 PM—I’m One of the Hillbillies You’ve Heard About--K.D. McCrite 12:20 PM—Your Tongue Determines Your Destiny--April Shenandoah 12:40 PM—Choices Along our Path--Diane Yates 1:00 PM—Fate and Timing Changed My Life and History--Billie Armstrong 1:20 PM---Bringing Out the Best in Our Youth--Eddie Bowman (Chester Drawers) A door prize will be given after each speaker’s presentation. Complimentary Coffee and Cookies will be served throughout the day.

 For more information go to: www.authors.kalib.org or call 417-739-2525 45 Kimberling Blvd., Kimberling City, MO 65686